
All she does is look out for symptoms or weakness of the screenplay which could fall in any of the category below.
The symptoms are:
1. Original idea and audience appeal.
2. Character and character development
3. Story structure and forward movement
4. Plotting and change points
5. Suspense and surprise
6. Visual storytelling
7. Dialogue (Is it too much? Too little? On the nose? or Just right?)
8. Scenes and style.
9. Layout
Once that is done, she applies just the right treatment to correct the weaknesses and there before your eyes is a film to remember.
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